Monthly Archives: August 2009

August Face-Off: Films we wish had psycho killers in them…

I go to the movies a lot, sometimes to see a good ol’ slasher flick but, alas, there aren’t enough of them about to fill the schedules. It’s not 1981 anymore… I like other genres too, a good comedy, thriller, even a happy-clappy musical is good for the soul – but there are times when I’m bored or I don’t like the cast and I just wish that Jason Voorhees had a cameo…

OCEAN’S ELEVEN

oceans11

Tagline: “They were having so much fun it was illegal – now…they must pay!”

Why it needs a psycho: Ugh…just the pretension of it all, “look at us, we’ve got the biggest stars ponsing around in suits acting so smart, wah wah wah!” Clooney and Damon, I don’t mind so much in their other roles but this heist was in need of a duffel bag full of blades.

What should happen: feeling the thieves have transgressed the accepted commandment of “thou shalt not steal”, one of Ocean’s Eleven decides the only way to stop the sin is to kill off the others one by one!

Who survives? Being that Julia Roberts is the only female cast member, technically she should be the heroine here, but maybe, to save us from the even worse sequels, they should all just die.

First-rate Fatality: a severed head spinning on a Roulette Wheel. Ideally Pitt’s.

*

HIGH SCHOOL MUSICAL

hsmTagline: “Singing… Dancing… Slashing!”

Why it needs a psycho: The merchandising is the main sin here, everywhere you look there’s High School Musical books, cards, games, clothes… I’m pretty sure I saw HSM toilet paper recently… And, oh God, all those primary colours! My eyes!

What should happen: Troy and Gabriella fall in love, sing songs, play basketball etc. and Sharpay’s jealousy brims over into a homicidal rage and she starts by offing their latch-on friends, turning those pearly-white grins into screams of fear!

Who survives? The dorky girl Kelsi and Sharpay have an Alice vs. Mrs Voorhees-style fight centre stage in the auditorium and Gabriella maims Sharpay, believing she has killed her…but no… Zac Efron, however, is gone.

First-rate Fatality: During a super-happy, mega-energy basketball song n’ dance, Sharpay scissors off Troy’s head and slam dunks it, bringing a decisive end to the song.

*

DISTURBIA

disturbiaTagline: “Everyone who lives next door to Shia LaBeouf becomes a killer…”

Why it needs a psycho: Shia LaBeouf is in it.

What should happen: Kale (!?) and his Mom move to a new house, Sarah Roemer lives next door. David Morse lives across the street and kills various extras and, it turns out, killed Shia’s dad in the prologue. Somehow. Despite not knowing who they were.

Who survives? Aaron Yoo and Shia’s Mom (as a favour to her).

First-rate Fatality: in-between takes, Shia hangs around trying to be noticed by fans, enraging David Morse, who, still in character, suffocates Shia with a facefull of Curly Kale in a twist of vege-centric irony.

*

AMERICAN PIE

americanpieTagline: “There’s something about your first time… It’s also your last!”

Why it needs a psycho: Great film it maybe, but it kick-started the endless parade of naff rip-offs. Also, these teens are all trying to get laid and we know what that means to your common-or-garden maniac killer…

What should happen: The Sherminator is pushed too far after he pisses his pants at the prom and crashes the after party at Stifler’s house, stalking and killing those caught with their pants down…

Who survives? Alyson Hannigan.

First-rate Fatality: after striking out with Alison, Jim tries it on with a handy apple pie, only Sherman has made a surprise filling of acid leading to penile meltdown.

*

CAMP ROCK

camprock

Tagline: “Don’t fit in. Stand out. Then DIE!”

Why it needs a psycho: I’ve not seen this film but it looks like it wants to be High School Musical: The Next Generation, plus it’s set at a summer camp!

What should happen: a masked psycho discovers the Jonas Brothers’ claims of purity are ruses to bed the girls at camp, takes exception to this and decides to kill everybody.

Who survives? I dunno, some nice but dorky girl nobody talks to.

First-rate Fatality: The main Jonas Brother is subject to thrash metal blasted into his ears until we see a gooey headsplosion!

*

MEAN GIRLS

meangirlsTagline: “Where blood is pink and filled with glitter!”

Why it needs a psycho: The girls are mean, super mean. They should die. Well… any film that features a clip from Friday the 13th Part 2 earns some respect. Plus Rachel McAdams is great and Lacey Chabert attempted a slasher in the “hmmm”-worthy Black Christmas remake.

What should happen: a dorky girl who’s been made fun of one too many times and features prominently in the Burn Book decides to eliminate the Plastics and their respective boy-toys.

First-rate Fatality: lip gloss laced with acid.

*

Victor: despite wanting to see Shia LaBeouf’s grim demise on screen, I like the Camp Rock idea the best…

CHERRY FALLS

cherryfallsdvd3 Stars  2000/18/88m

“If you haven’t had it – you’ve had it!”

Director: Geoffrey Wright / Writer: Ken Selden / Cast: Brittany Murphy, Michael Biehn, Jay Mohr, Gabriel Mann, Candy Clark, Joe Inscoe, Rick Forrester, Natalie Ramsey, Michael Weston, Kristen Miller, Amanda Anka.

Body Count: 8

Dire-logue-cum-chant: “Hail, hail, Virgin High, drop your pants it’s fuck or die!”


Lose your innocence – or lose your life! Such are the themes of the umpteenth post-Scream slasher that in the USA it was denied a theatrical release at all and heavily cut. Shame it is too as the original script for Cherry Falls (freely available to read on the web) was surely going to be the most grotesque and interesting dead teenager flick of its era.

I hated the film when I first saw it back in August 2000 (it did pick up a cinema run in the UK), it looked unfinished and badly cut, with ill-fitting comic relief tossed into the salad. A while later I gave it another chance and changed my view, finding a good few charms amongst the dross, not least the subtle brilliance that is the very premise itself… Smalltown America is, this time, under attack from a disguised maniac who is targeting teenagers who’re still virgins, thus sparing the oversexed jocks and sluts who normally make up the victim spectrum in the genre.

cherry21Brittany Murphy makes for a unique heroine as Jody, daughter of the titular town’s sheriff (Biehn), who is investigating the murders of a teen couple in a lover’s lane and, soon after, of a girl slashed up in her own home. All three have the word ‘virgin’ carved into their thighs, a report which sparks a hormonal time bomb as the high school kids of town organise a ‘Pop Your Cherry’ party to cross themselves of the killer’s list. Jody is having problems of her own though, having previously turned down boyfriend Kenny’s advances, he dumps her, then wants her again, then dumps her again… The only person she feels she connects with his English teacher Mr Marliston.

cherry3 Jody is later attacked by the Cher-wigged killer and some prying, eavesdropping and investigating on her part unveils a twenty-five-year-old town secret involving a girl by the name of Loralee Sherman, who claimed she was raped by several members of the school football team, whom the town sided with and she disappeared. Unfortunately – but blindingly obvious to all watching it – Sheriff Marken was one of the assailants, along with the principal of Jody’s school… This learnt, it becomes immediately obvious who the killer will turn out to be and also why…

cherry1

Cherry Falls is an equally blessed and cursed production, which, on one hand has a great selling point, amazing tagline, and paints an (honest?) Americana of desensitized youth who care more about what the deaths of their classmates can do for their libidos than those lost lives. There’s an acely shot chase scene where Jody sprints as fast as she can from the approaching killer, eventually defeating him/her with a plastic shark! However, it sinks to new lows of spoon-feeding, the title for a start being the name of the town where all such madness occurs is notably situated in Virgin-ia. Additionally, all vulnerable teens are suitably mouthy about the state – or lack – of their sex lives and we genuinely want several of them to die – but they don’t, a meanstreak underscored by the nasty guy who spreads rumours about victim #3, thus getting her killed and not seeing the sharp edge of the axe himself.

But what I love most about Cherry Falls is all about the UK video box…

cherryIt looks like a relatively normal box, pushing some impressive press quotes… cherrycoverquote2

Uhh…I’m not sure it was supposed to be. Oh wait, it’s from The Sun.

cherrycoverquote1The Faculty meets American Pie!? What the hell in Cherry Falls is remotely similar to the events of The Faculty!? Teens under threat, high school – aliens??

And finally, to push the most hesitant purchaser over the edge, it’s the sheer generosity of the DVD extras… cherrydvdextras

4 minutes of B-Roll? 6 minutes of interviews? Where’s all the cut footage, where’s the frickin’ trailer!?

Elementally, Cherry Falls is nowt more than a good film with some unintentional laugh-out-loud moments (perhaps what The Sun thought was by design); our first clear look at the killer dressed as a woman, the close-up on the word ‘erected’ on the wall of the school… but this is a film that could actually benefit from a remake, or at the very least a director’s cut, which features the purported uber-grim demise of Annette by sliding down a pane of broken glass throat first!; the sex party castration and, dare I utter it, would we see any of the hoard of teens running from the party actually naked?

Blurbs-of-interest: Michael Biehn was in The Fan back in ’81 and, later, Bereavement; Kristen Miller was the final girl in The Pool; Natalie Ramsey was the final girl in Children of the Corn 666; Michael Weston was the final boy in Wishcraft; Keram Malicki-Sanchez (Timmy) was in Texas Chainsaw 3D.

RED MIST

redmistRED MIST

2.5 Stars  2008/18/82m

“Do not resuscitate.”

A.k.a. Freakdog

Director: Paddy Breathnach / Writer: Spence Wright / Cast: Arielle Kebbel, Sarah Carter, Andrew Lee Potts, Stephen Dillane, Alex Wyndham, Martin Compston, Katie McGrath, Christina Chong, Michael Jibson, MyAnna Buring.

Body Count: 8

Dire-logue: “So, Kenneth is somehow taking over people’s bodies and killing us one at a time – have I got that right?”


When I picked Red Mist off the shelf and saw that it was “from the director of Shrooms” I almost involuntarily squawked “yuck!” and slammed it back from whence it came. However, due to this stupid penchant for slasher completism I have, I Lovefilmed it and it turned up just t’other day. The good news is that it’s way better than the tripe-fest that was Shrooms, although the director still has a thing for passing off British/Irish productions as American (accents n’ all…) but that’s alright, I can see why he’d do it. In fact, despite similarities to old 80’s horrors Out of the Body and Aenigma, Red Mist is pretty damn promising, it just kinda gets a few things wrong… Read on…

A group of uniformally popular and good looking interns at a hospital upset weirdo self-harmer Kenneth (also good looking considering his status), who confesses he has video footage of one of them pocketing drugs from the pharmacy for recreational purposes and their resolve is to ply him with booze and drugs, unknowingly inducing an epileptic fit that descends the lad into a coma, which they cover up by dumping the body outside ER and driving away. All but nice girl Catherine (Kebbel) exhale with relief when told of his condition and that, due to expired insurance and no relatives, his life support will be turned off soon. Guilt-ridden Catherine does some research and discovers an untested phase one drug that may help and doses Kenneth on it.

redmist1This is where things become ambitious but also a bit shit. Wonderdrug allows Kenneth to possess individuals and use them as his weaponry to kill the med students responsible: one girl gets her head slammed in a car door by the security guard while a sexy nurse force feeds nasty ringleader Sean with acid. Some of the other kills occur off screen while Catherine runs about trying to convince people of what’s going on until she herself is possessed and later wakes up in the woods unaware of what she might or might not have done…

Some sub-lot blurb about a selfish doctor trying to steal Catherine’s glory provides a little resistance come the end but by this time Red Mist has slid too far down its self inflicted slope and the contrived “it’s not done” ending, similar to that in Breathnach’s earlier film, is a groaner. It’d work better as a straight-up revenge slasher and only feels rushed in its present state, with many characters quickly dispensed with rather than given their due comeuppance for their early nastiness. A good try with a good cast and ideas but too little in terms of pay-off.

redmist2Blurbs-of-interest: Arielle Kebbel was in Reeker and The Grudge 2; Sarah Carter was in Final Destination 2; Katie McGrath was the lead in the TV show SlasherMyAnna Buring was one of the potholers in The Descent.

CrappyCrappy

killerkillerKILLERKILLER

1 Stars  2006/75m

“The public calls them murderers. The papers call them monsters. She calls them prey.”

Director/Writer: Pat Higgins / Cast: Cy Henty, Dutch Dore-Boize, Danielle Laws, Richard Collins, James Kavaz, Nick Page, Scott Denyer, Danny James, Rami Hilmi.

Body Count: 9


Bizarre no-budget indie project, which begins with the all-too familiar scenario of a babysitter being stalked around a London townhouse. Into the kitchen… up the stairs… into the bathroom as she disrobes for a shower, turns around to find a masked killer poised with a knife and…

…whips out twin blades and does him in! This witty intro aside, Killerkiller plays out like a stage-adaptation once we meet eight incarcerated murderers who wake up to find their prison-slash-institute has no guards, no locks, and somebody who is offing them one by one. How and why they are there – don’t bother asking.

Mucho testosterone-fuelled dialogue later, we discover that blondie babysitter is some sort of demon who is zapping them temporarily into relative nightmares (all about their past crimes) and passing ultimate judgment over them. It might’ve worked if the expenditure was in double figures – but it ain’t so it ends up as one of the longer 75 minute stints to experience.

Amount of sense? Nun.

nunTHE NUN

2 Stars  2005/15/102m

“Not all water is holy…”

Director: Luis de la Madrid / Writers: Jaume Balaguero & Manu Diaz / Cast: Anita Briem, Belen Blanco, Manu Fullola, Alistair Freeland, Cristina Piaget, Paulina Galvez, Natalia Dicenta, Oriana Bonet, Tete Delgado, Lola Marcelli.

Body Count: 8

Dire-logue: “So let me get this straight: are you trying to tell me that all this is some sort of I Know What You Did Eighteen Summers Ago or something?”


Some filmmakers must want to tear their own ears off with frustration when studio executives meddle with their creativity. In some cases it might make the film better, but in others it’s sure to render the production a lost cause. Such is the case of The Nun, a handsome looking Spanglish production, which, for 95 of it’s 102 minutes is an interesting, kinda creepy little supernatural slasher – and then comes that twist.

nun1Six naughty Catholic school girls accidentally murder the sadistic Sister Ursula after she goes too far abusing one of them. Eighteen years later, the grown women are falling victim to her ghost, who manifests from water, usually from overflowing baths or sinks. When young Eve witnesses the death of her mother by the nun and then the outcome of another tragic ‘accident’, she agrees to tag along to Spain with her friends Julia and Joel and pick up where her mom left off, meeting the other surviving girls to figure out why they started dying… Eve gets on the trail with her pals and a sexy young wannabe-priest and they all end up at the condemned convent with the final two women in a bid to put an end to spectre-nun for good.

The first third of The Nun is a professional looking mix of Darkness Falls and Final Destination with a sprinkling of J-horror conventions, showing off some good demises and competent CGI work. However, once the action shifts to Spain (despite the fact it’s all evidently been shot there) and the main characters make their way to the old school, things start to drag… There’s a mini-twist about the deaths reflecting those of the girls’ patron saints and if things had ended with the destruction of the nun all would be well.

nun2But no.

The twist that is ‘suddenly’ revealed is so crap and reveals so many glaring inconsistencies that you could fly a Boeing 747 through the plot holes, absolutely shattering what credence the film had amassed unto this point. Given the explanation provided, what they propose to be the truth could not have even happened at all. It will make you want to die your own grisly death because it sucks. Sucks, sucks, sucks!

You want to know? Seriously? OK…

S P O I L A G E

There is no nun, Eve is the killer. So explains a miraculously clued-in Joel at the end, a “traumatic event” made her the killer, i.e. her mom’s death, but wait – according to earlier dialogue, mom was the second victim as the first burned to death in London a few days earlier. Did Eve fly to London and kill her then? If so, she also has the power to walk through walls and manages to oversee the elevator death before she even arrives at the hotel! It’s also apparently possible to impale oneself with a speargun.

Honestly, did they think everyone watching had Alzheimers?

1 2 3