Tag Archives: after they were famous

The Dolls of Death

tourist trap 1979

TOURIST TRAP

3 Stars  1979/15/90m

“Every year young people disappear…”

Director/Writer: David Schmoeller / Writer: J. Larry Carroll / Cast: Chuck Connors, Jocelyn Jones, Jon Van Ness, Tanya Roberts, Robin Sherwood, Keith McDermott, Dawn Jeffory.

Body Count: 6


Technically one of the very first post-Halloween teen horror pics to emerge, Tourist Trap was actually shot shortly before John Carpenter started rolling on his genre-confirming film, but was released in March of 1979, by which point Halloween had happened.

Co-produced by Irwin Yablans, TT draws a significant amount of inspiration from The Texas Chain Saw Massacre instead, with five youngsters (including a future Charlie’s Angel) diverted from a backroad to Slausen’s Lost Oasis due to car trouble. They’re welcomed by the happy-go-lucky owner, who shows them his brother’s mechanical mannequins and allows them to hang around while one of their number drives off to town in a borrowed truck to find assistance.

The three girls let curiosity get the better of them and individually wander off to explore the big house out back. They soon discover that it’s inhabited by a masked loon who also has psychic powers, which he uses to kill them, until nice-girl Molly is left to save the day.

The absence of Friday the 13th-styled influences is interesting in Tourist Trap, especially as certain sequences would feel right at home on the shores of Camp Crystal Lake, with characters rambling around in the dark telling their friends to quit trying to scare them. An obvious lack of significant budget sometimes gets in the way and the film has a fair whack of padding to reach the 90-minute finish line, but ultimately its surreal embellishments outweigh the negatives, utilising the creepiness of the dummies in the shadows to the maximum effect.

Given the cult-like status of this, I’m surprised it wasn’t immediately snatched up during the remake craze of the 2000s (possible because House of Wax got there first) but never say never!

Blurb-of-interest: Jon Van Ness was later in X-Ray.

Slashifying the Classics Part II: Poe

masqueTHE MASQUE OF THE RED DEATH

3 Stars  1989/18/89m

“Death is the life and soul of the party.”

Director: Alan Birkinshaw / Writers: Edgar Allan Poe & Michael J. Murray / Cast: Herbert Lom, Michelle McBride, Frank Stallone, Brenda Vaccaro, Christina Lunde, Simon Poland, Christobel d’Ortez, Foziah Davidson, Lindsay Reardon, Godfrey Charles.

Body Count: 10


Shot in South Africa, this is one of two adaptations of Poe’s story shot in 1989, morphed into a masquerade ball slasher pic by screenwriter Michael Murray. In this version, a red caped and masked fiend sends a group of attendees to the slab.

Pretty McBride is a journalist who snuck in to try and get some snaps and a story from loudmouth soap star Vaccaro at the final party of the mysterious Ludwig (Lom) in his creepy Bavarian castle. Those up for the chop include actors, designers, and doctors with whom he is somewhat intimately associated. They’re offed by sword, axe, and even razor sharp pendulum.

Frank Stallone gets top billing for his rather marginal part, but McBride carries the weight of the film as the sympathetic – and ever so slightly simpleminded – heroine. Lom is good in his is he/isn’t he role of host.

Most observers have dismissed this as a travesty to Poe’s work, but if an interesting take on the tale, marred by the revelation of the rather comedic killer, which unearths a couple more twists before a rather satisfying end to their evildoings. Silly laughs do divert proceedings time and again, although there’s one honest gag at the end of the credits which is worth hanging on for.

Blurb-of-interest: Birkinshaw directed British oddity Killer’s Moon in 1978.

[Insert slack-jawed emoji]

scream 1981 a.k.a the outing

SCREAM

0.5 Stars  1981/18/79m

“No one ever returns from this phantom town of TERROR!”

A.k.a. The Outing

Director/Writer: Byron Quisenberry / Cast: Pepper Martin, Hank Worden, Ethan Wayne, Woody Strode, Joe Allaine, Joseph Alvarado, Ann Bronston, Julie Marine, Cynthia Faria, Nancy St. Marie, Alvy Moore, Bob MacGonigal, Bobby Diamond, John Nowak.

Body Count: 7

Laughter Lines: “He wouldn’t have enough sense to shit if his mother didn’t call him every day and remind him.”


“No one ever returns,” the tagline promises – uh… yes they do. Half of the cast, in fact.

Ten rafters and their guides find themselves trapped for a couple of nights in an abandoned town that resembles a low-end theme park attraction. Ten minutes in, they’re already wandering around aimlessly in the dark and being killed by an off-camera presence that is never revealed. An hour and several corpses later, some fog rolls in, followed by a guy on a horse and his dog; he tells them he used to be a sailor and then leaves again!

One of the few… ‘defining’ (?) aspects of Scream is that the cast are adults rather than teenagers and all of the victims are male. The age makes no difference though, in fact seemingly making them less intelligent, as they fail to notice missing people and walk off on their own for reasons such as fetching a beer from a separate building. “I’ll be fine!” One character is attacked by a reanimated corpse BUT DOESN’T TELL ANYONE ABOUT IT!

Stir in the crappy daytime-TV saxophone score, horrible characters, dismal acting from some semi-known (John Wayne’s son is in this) and you have one of the worst films in the history of moving pictures. Critics who mauled Friday the 13th should rent this.

Blurb-of-shame: Pepper Martin was later in the only marginally better Return to Horror High.

Valley of the Cheapjack Franchises: Stripped To Kill

stripped to kill 1987

STRIPPED TO KILL

2.5 Stars  1987/18/87m

“A maniac is killing strippers. Detective Cody has one weapon to stop him… Her body.”

Director/Writer: Katt Shea Ruben / Writer: Andy Ruben / Cast: Kay Lenz, Greg Evigan, Norman Fell, Pia Kamakahi, Peter Scranton, Diana Bellamy, Tracey Crowder, Debbie Nassar, Lucia Lexington, Carlye Byron, Athena Worthey, Michelle Foreman.

Body Count: 6

Laughter Lines: “I’ve never seen any body jack off a snake before!” / “She’s stressed – I’m giving her a massage.”


The concept of an attractive female cop going undercover as a stripper to smoke out a killer of dancing girls sounds as old as the hills in 2019, but Stripped to Kill was possibly the first film to make use of the cliche. Minor spoilers follow (though the trailer totally gives away who it is anyway).

Reportedly, female director (!) Katt Shea (who played the toilet victim in the previous year’s Psycho III) wanted to explore the artistry of exotic dancers more so than just ogle them – as most of the subsequent films with the very same plot did – and so there’s more character depth going on here than in, say, Slashdance or PrettyKill, with various girls struggling with drugs, ageing, as well as the voyeurs who come to throw bills their way.

When Detective Cody (Lenz) literally runs into a stripper being murdered, she and hunky partner (Evigan) concoct an undercover mission for her: She enters a stripping contest and is given the job of the dead girl at the Rock Bottom club while she investigates the murder and the disappearance of another girl.

stripped to kill 1987

Could it be headphone-wearing weirdo Mr Pockets, who’s always giving the girls paper flowers? Frustrated owner Ray (Fell, of Three’s Company!)? Or someone closer to home? Hmm… Stripped to Kill blunders along a bit lifelessly for the most part, with few stalk n’ slash sequences, but is elevated by the camp-as-tits final act, which shares a fair whack in common with a few other notorious slasher flicks as well as a total lack of political correctness – let’s just say if you wanted The Further Adventures of Kenny Hampson, here it is.

Shea’s attempts to humanize the girls is 50/50 successful – a scene that infers they all look out for one another is nice if fleeting. Star Kay Lenz later complained about the sleazier aspects in the final cut, which pushed the focus to tits and immolation. Watch out for the sarcastic receptionist, Shirl.

*

STRIPPED TO KILL II: LIVE GIRLSstripped to kill ii live girls 1989

1 Stars  1989/78m

Director/Writer: Katt Shea Ruben / Cast: Maria Ford, Eb Lottimer, Karen Mayo Chandler, Marjean Holden, Birke Tan, Debra Lamb, Lisa Glaser, Tommy Ruben.

Body Count: 5


Making its predecessor look like Dressed to Kill, It’s difficult to get your head around this hot mess being written and directed by the same team as the first one, which, while no masterpiece, at least looked decent. Director Katt Shea wrote as she went, with no clear direction, and thus Live Girls is the wretched product.

LA stripper Shady (Ford) has crazy 80s-music-video dreams with lots of dancing that end with vampire-esque razor-mouth kisses, all of which preclude the murders of the other strippers from her club who cameo in each dream.

Limping detective, Sgt. Decker tries to find the killer, falls in love with Shady, and, well that’s pretty much it. It takes forever for more murders to occur and, gasp, it’s the one with the British accent! Who knew!? She loves Shady too, or something. A real damp squib of an effort which, even at 78 minutes, feels like it robs you of an entire day to sit through.

Blurbs-of-interest: Maria Ford was in Slumber Party Massacre III; Karen Mayo Chandler was in Out of the Dark.

Remake Rumble: Don’t Call the Super

Less a Face-off, more a comparative analysis between the original and its – ugh – remake/reimagining/reboot/whatever (…delete as applicable), some I liked, some I loathed and some I somehow preferred to the original!

*

toolbox murders 1978

THE TOOLBOX MURDERS

1.5 Stars  1978/18/91m

“Bit by bit… he carved a nightmare!”

Director: Dennis Donnelly / Writers: Neva Friedman, Robert Easter, Ann Kindberg / Cast: Cameron Mitchell, Pamelyn Ferdin, Wesley Eure, Nicolas Beauvy, Tim Donnelly, Aneta Corsaut.

Body Count: 8

Laughter Lines: “Come here you dirty fornicator!”


This depressingly bleak pre-Halloween effort follows a ski-masked, humming maniac, who offs several women in a close-knit apartment block before kidnapping a 15-year-old he believes is the reincarnation of his dead daughter. As it predates the flood of low-budget slash flicks by a few years, the narrative seems a bit out of whack seeing it after so many template slashers.

The first thirty minutes or so is entirely comprised of the back-to-back murders of a series of pretty young women, some of whom have absolutely no lines, they’re present simply to look good, disrobe, in one case take a bath in full make-up, masturbate, and then become the resting place for the killer’s drill/hammer/screwdriver. The killer is soon after identified as the owner of the complex (Mitchell), while his kidnapping victim’s older brother tries to solve the mystery with the help of his friend – the killer’s nephew – who gets a clue and quickly becomes as unwound as his uncle, which provides a passable twist before the end title card informs us that the film was based on true events.

toolbox murders 1978

The main problem here is pacing; with nearly all the slaughter out of the way in the first third, the film reverses the tension effect and it wades through a thick swamp of extended tedium to the okay finale, by which point you’re likely to be lapsing into a coma or masturbating in the bath.

Renowned for its UK banning in 1982, like most of the Video Nasty culprits it’s notorious reputation isn’t warranted and the film is much more boring than it is gory.

*

TOOLBOX MURDERStoolbox murders 2003

3.5 Stars  2003/15/91m

“If you lived here, you’d be dead by now.”

Director: Tobe Hooper / Writers: Jace Anderson & Adam Gierasch / Cast: Angela Bettis, Brent Roam, Juliet Landau, Rance Howard, Adam Gierasch, Greg Travis, Marco Rodriguez, Sara Downing, Chris Doyle.

Body Count: 8


One in a million this: A remake that far outdoes the original material. In a twist of irony, the same year that his Texas Chain Saw Massacre genre staple is remade big budget stylee by Hollywood, Tobe Hooper chooses to drag drab 70s sleazefest The Toolbox Murders into the millennium, albeit on a much less grand scale than the ‘re-imagining’ of his most famous film.

This remake is pretty much trading on its notorious title and wisely steers itself in a different direction from the trashy original. Keeping the setting of an apartment block – this time undergoing a lengthy renovation project – thus providing cheap lodgings for numerous Hollywood hopefuls and youthful victims for a ski-masked killer who leaps out of doorways and from behind objects to bludgeon and drill starlets to death.

New resident Angela Bettis becomes suspicious of the extraneous sounds and missing cohabitants so decides to investigate for herself, uncovering some hidden truths surrounding the history of the structure. She also puts herself in the path of the lunatic killer, eventually facing off with him while would-be rescuers fall by the wayside with various tools sticking out of them.

toolbox murders 2003

Toolbox Murders reasserts Hooper’s talent for cranking up the scares, gratefully negating memories of his feeble efforts in the years since Poltergeist (straight to video fodder Crocodile was also written by Anderson and Gierasch). He delivers several ejector-seat jump moments courtesy of avoiding the usual slasher pitfalls, and opting for catching the viewer in their off-guard moments between tension building. The final product also benefits from a good cast playing a variety of oddball characters from the stock creepy maintenance guy to the failing actors inhabiting several apartments via Juliet Landau’s sweet fitness freak, and Rance Howard as an ageing ex-actor who’s lived in the place since 1947 and might just know a little bit more about what’s going on than he’s letting on.

But its Bettis who turns in the most interesting performance as the not-entirely sympathetic heroine, giving her a dimension not always visible in central characters. All in all an overtly impressive improvement on a deservedly forgotten B-movie. Followed by a sequel in 2013.

Blurbs-of-interest: Cameron Mitchell was also in The DemonSilent Scream, Valley of Death, Trapped Alive and Jack-O; Angela Bettis was also in May and Scar; Juliet Landau was in Hack!; Sara Downing was in Wishcraft; Christopher Doyle was one of the cops in Scream 2; Tobe Hooper directed the first two TCM movies and The Funhouse.

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