Tag Archives: after they were famous

Scared of boredom?

PHOBIA

2 Stars   1980/15/87m

“What happens when your psychiatrist goes out of his mind?”

Director: John Huston / Writers: Ronald Shusett, Gary Sherman, Lew Lehman, Jimmy Sangster & Peter Bellwood / Cast: Paul Michael Glaser, Susan Hogan, John Colicos, Patricia Collins, David Bolt, Robert O’Ree, Alexandra Stewart, David Eisner, Lisa Langlois, Marian Waldman, Kenneth Welsh.

Body Count: 6


Thaasophobia is the fear of boredom.

Atychiphobia is the fear of failure.

Thaasophobia + Atychiphobia = 1980 horror movie Phobia.

If you can buy the concept that John Huston – JOHN HUSTON!!! – directed this miserably disappointing Canadian flick that barely got released, then you can buy freakin’ Starsky as a shrink who experiments on a group of ex-cons with varying phobias – two of whom would make up members of the Crawford Top Ten in Happy Birthday to Me the following year.

When the agoraphobic member of the programme is blown up in the doc’s apartment, suspicion falls on her fellow patients that one of them was intending to kill him instead.

Predictably, the other members of the group start dying in increasingly suspect ways, of course relating to their respective fears: One is drowned, another squashed by an elevator, and a third bitten by a snake.

Solving the mystery isn’t hard (‘specially thanks to the tagline), with the most ‘likely’ perps out of the way, there aren’t many other avenues to explore and the climax fizzles out with a boring revelation and a motive, which will leave the audience needing more therapy than any of the patients ever did.

Attempts to make the characters slightly more dimensional than contemporary horror films of the time are never followed through, resulting in a bunch of people we don’t really understand, much less care about. Phobia is one of those above-its-station efforts that thinks its not a slasher film and so contains less blood than your average pebble.

Quite deservedly, it tanked at the movies – even in the big horror year of 1980 – teaching Huston to steer clear for a while.

For a better example of the hoards of “ironic” death-by-phobia films, try Boogeyman 2. That one, at least, knew what it was and had a bit of grue.

Blurbs-of-interest: Langlois and Eisner were two of the teens who DON’T die in Happy Birthday to Me; Marian Waldman was Mrs Mac in the original Black Christmas.

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Stick to what you know. Or die.

Some people just want a bigger slice of the pie. Unsatisfied with their singing careers, many artistes appear in a few music videos and suddenly think they’re the next Streep or Caine. So we get Beyoncé in Austin Powers, Justin Timberlake trying to be an action hero in the crappy In Time and Alanis Morissette playing GOD in Dogma!

So it was no surprise to anyone that, during the 90s horror resurgence, a few of these Prima Donnas thought they could kick it with the big boys and headline a slasher flick. Some did alright, agreeably dying in accordance with the audience’s wishes, while others thought their acting talents earned them the lead role. Poor deluded things…

Let’s take a look at who ruined what:

llcooljh20-2

LL Cool J as Ronnie the security guard in Halloween H20

Who hell he? Rapper James Todd Smith started his career way back in 1985 and has since released 11 studio albums, featured as a guest rapper on a gazillion tracks and, surprisingly, carved out quite the respectable screen career, presently starring in NCIS: Los Angeles.

In the midst of horror: LL donned the usually doomed role of security guard at a California prep school where Jamie Lee Curtis was the headmistress. Unusually, he brought a charm to the role few other names on this list could dream of (not least Busta Rhymes who almost single-handedly destroyed the next film in the series).

He later pulled the rug of credibility out from under himself in a naff role in Deep Blue Sea the following year (for which he also contributed a dire theme song) and returned to slasherdom in Mindhunters in 2004.

Eventual Fate: Survives despite being shot.

tatyana-clown2

Tatyana Ali as Monica in The Clown at Midnight

Who hell she? Former Fresh Prince of Bel-Air cast member and short-lived career singer Ali scored a big hit by duetting with series brethren Will Smith before seemingly being sucked into the career ether.

In the midst of horror: Ali cropped up as the sassy best-friend-of-heroine in this Canadian Scream knock-off, where a group of high school theater club kids are tormented by a psychotic but not remotely scary clown.

Eventual Fate: Skewered with a spear that she almost spins 360s around. But doesn’t.

brandy-isk2Brandy as Karla in I Still  Know What You Did Last Summer

Who hell she? Brandy Norwood – who I had confused with Aaliyah for several years – had already headlined her own kids show, Moesha, for a couple of years and scored some gentile RnB chart hits, including this one featuring LL Cool J – hmmm. The only ones I know were Sittin’ Up in my Room from Waiting to Exhale and The Boy is Mine with genre clone Monica.

In the midst of horror: Brandy signed on to play the sassy best-friend-of-heroine in the cliché ridden killer fisherman sequel to the surprise 1997 hit. For the role, Brandy had to lip-sync (something I don’t doubt she was used to) her screams, so’s not to damage that precious voice… To be fair, she does ok with some godawful dialogue and has a cool chase scene.

Eventual Fate: Staggers from the wreckage at the last second after we all hoped believed she was dead.

kylie-cut2aKylie Minogue as Hilary Jacobs in Cut

Who hell she? Pint-sized pop princess and international gay icon Kylie made her screen debut in cult Australian soap Neighbours before becoming one of the most successful artists on the planet, notching up 45 Top 20 hits in the UK between 1988 and 2011.

In the midst of horror: For her Drew Barrymore-esque cameo in Aussie comic-horror Cut, she appeared for all of five minutes as the tyrannical director of a low-budget horror film, Hot Blooded.

Eventual Fate: First to go, probably to the joy of many she gets her tongue cut out.

snoop-bones2Snoop Dogg as Jimmy Bones in Bones

Who hell he? Pot-smoking LA rapper Snoop Doggy Dogg (later dropping the middle name) has been on the rap scene since the early 90s. Look, I know fuck all about rap. It bores me. He appeared on that Katy Perry track and was in some episodes of Weeds. And played Huggy Bear in the crappy Starsky & Hutch reboot.

In the midst of horror: Dogg rolled up as a killer from beyond the grave in this ghetto Elm Street wannabe, in which a murdered 70s big cheese rises from the dead to take revenge on those who killed him after they turned his beloved burg into a grotty ghetto of sleaze.

Eventual Fate: As the supernatural killer, he’s already dead and possesses daughter Bianca Lawson at the end.

kris-dtox2Kris Kristofferson as Dr Mitchell in D-Tox

Who hell he? Texas folk strummer Kristofferson has never had a single UK chart hit but the weird alliteration of his name alone ensures most people have at the very least heard of him. Folk isn’t my thing either so I can’t tell you shit about his career.

In the midst of horror: KK phoned in a one-dimensional performance as the head shrink at a clinic for burned out cops, where Sylvester Stallone thinks there’s a police-hating serial killer on the prowl. In truth, I can’t remember a whole lot about the film now, only that the identity of the loon was evident from the outset and that a cast containing Charles S. Dutton, Courtney B. Vance, Sean Patrick Flanery and Robert Patrick could be so wasted in a film that virtually bypassed big screens everywhere for a dead future on DVD…

Eventual Fate: Dies, but I can’t remember how.

busta-hr2Busta Rhymes as Freddie Harris in Halloween: Resurrection

Who hell he? I know even less about Busta Rhymes than I do about Snoop Dogg. He sang on that really rubbish Half on a Baby with Mariah Carey and did a ‘song’ that sampled the Psycho theme (blaspheme!).

In the midst of horror: Rhymes, evidently spurned on by – or jealous of – LL Cool J and Snoop Dogg’s horror movie outings, somehow bagged the lead role in what is possibly the most hated film in the Halloween canon (though I actually don’t mind it at all) as a small time entertainment entrepreneur who organises a live webcast from the home of Michael Myers on Halloween night, unaware that the psycho has lived in a tunnel beneath the property for several years and objects to any visitors.

From his ridiculous Kung Fu showdown with Michael to his attempt at playing things cooler than a frozen cucumber, Rhymes is possibly the victim of a crap script. This is, after all, a film that tries to sell to us the idea that Michael Myers was not the guy beheaded at the end of H20. It’s more plausible and likely that he just can’t act.

Eventual Fate: Stabbed about three times but survives. Fuck it.

kelly-fvj2Kelly Rowland as Kia in Freddy vs Jason

Who hell she? One of the ‘other’ members of Destiny’s Child who merely existed under the shadow of the great Beyoncé, future X-Factor mentor and singer of a few half-decent solo hits. I can’t even picture the third girl. Hang on, weren’t there four at the start?

In the midst of horror: Rowland turned up as the sassy best-friend-of-heroine (any one else noticing a theme?) in the long-awaited horror series mash-up. Kia says “girl” a lot and gives mouth-to-mouth to Jason Voorhees, for which he thanks her by slamming her against a tree. However, Rowland reportedly ad-libbed “faggot” as an insult against Freddy, which dropped her credibility through the floor in my book.

Eventual Fate: Machete sling into a nearby tree.

paris-wax2Paris Hilton as Paige in House of Wax

Who hell she? Before House of Wax, I was one of approximately six people on the planet who didn’t really know who Paris Hilton was. Everyone seemed to hate her. Apparently, the hotel chain heiress-slash-socialite is one of those famous-for-being-famous dollies who had a few ‘reality’ TV shows and squawked out a heavily auto-tuned album in 2006, which spawned the worldwide hit Stars Are Blind. She sings like she’s stoned.

In the midst of horror: The American marketing for this remake played heavily on Hilton’s character’s fate: See Paris Hilton Die! squawked the trailers. So divisive her star-status that it would have started a riot had she been cast as the final girl. Strangely, this was not Hilton’s first foray into slasher cinema, having already been offed in rubbish British ghost-horror Nine Lives. In Wax, she does okay with the role of best-friend-of-heroine (though for once, white!).

Eventual Fate: After an admittedly impressive chase scene, Paige gets a rusty old pole right through the head.

bonjovi-wolf2Jon Bon Jovi as Rich Walker in Cry_Wolf

Who hell he? “Ohhhh we’re halfway there…!” Leading man of supremo 80s hair metal rockers Bon Jovi, JBJ has enjoyed enormous global success with the band, turning out hits pretty much solidly for a quarter of a century. Everyone loves at least one Bon Jovi song.

In the midst of horror: Would you learn anything if Bon Jovi was YOUR teacher? No? Neither do any of the cast members in this cheat of a film, set at a snobby prep school where the students start a rumour about a campus cruising killer that backfires of them, then doesn’t, then does…

JBJ is the media lecturer and more intertwined with events than it at first seems. He says teacherly things, wears glasses and boring clothes and generally makes no impression whatsoever. But the film’s crap so who cares?

Eventual Fate: Shot dead because he’s the killer. No, wait! He isn’t! Is he? Fuck it, I have no clue what’s going on. Dies.

tulisa-dnd2Tulisa Contostavlos as Amber in Demons Never Die

Who hell she? One third of unspeakably dreadful UK ‘urban’ group N-Dubz, who, despite being a vacuum of talent, scored several substantial chart hits, including a number one single. Tulisa then went on to mentor on The X Factor, her girl group Little Mix eventually winning the show. Entirely thanks to her, of course.

In the midst of horror: Plays ‘the Drew Barrymore role’ in UK ‘urban’ slasher flick Demons Never Die, which I’ve not yet seen because it flopped so hard at the box office it barely played anywhere, drunkenly staggering its way to DVD in February 2011. Equally repugnant Radio 1 DJ Reggie Yates also features.

Eventual Fate: She dies, but I don’t yet know how.

* * *

What does this teach us? If you’re a black female artist, you have no choice than to play the final girl’s best friend.

Who would you like to see bite it on the big screen? I imagine Justin Beiber would top a few lists. Simon Cowell would be forced to listen to Westlife until his brains bleed out his ears. Eminem could scream like a girl. Victoria Beckham could be force-dieted to death…

The list is endless.

11.11.11 Ashes to ashes

bereavement_dvd-2BEREAVEMENT

2 Stars 2010/108m

A.k.a. Malevolence 2

Director/Writer: Stevan Mena / Cast: Michael Biehn, Alexandra Daddario, Brett Rickaby, Nolan Gerard Funk, John Savage, Spencer List, Kathryn Meisle, Peyton List, Valentina De Angelis.

Body Count: 10


Don’t cry for me Stevan Mena, the truth is your prequel’s boring

All through it’s run time, I played Solitaire

I cut my toenails, I trimmed my chest hair…

Internal-Evita aside, Malevolence was one of those weird films, both overrated and underrated at the same time. For a no-budget slasher flick, it wrung loads out of the kind of Asian-influenced photography any big studio horror film would kill for.

As the middle part of a proposed trilogy, six years later came the first bit: Bereavement, which begins with the 1989 abduction of little Martin Bristol, who has a rare condition that means he feels no pain. The local schizo killer takes him from his back yard and spends the next five years trying to teach him to kill young girls.

Meanwhile – in 1994 anyway – recently-orphaned teenager Allison arrives in town to live with Uncle Michael Biehn and his little family. She’s a long distance runner and jogs past the creepy old shut down Sutter abattoir where loon and kid live in harmony, seemingly abducting a new girl every few days without anybody raising an eyebrow.

Allison has adjustment problems, hangs out with the local bad kid, and eventually strays into the old building where she is held captive, escapes, fights the killer and such.

Unlike Malevolence‘s slow-burn homage to the really early days of under-lit slasherdom, Bereavement is more of a character study, setting things up for what will hopefully be a pretty good third entry.

Alas, unlike its predecessor (or whatever we call it considering it came first but follows the story…?), Bereavement is depressing and also kinda dull. For all of Mena’s beautifully orchestrated cinematography of pylons, vast fields and Sutter’s creepy old truck idling along empty roads, there’s long drawn out scenes where little happens (possibly accentuating the lack of life around the small town) or young girls are chained up and knifed to death.

It’s never explained why the police aren’t sniffing around for numerous missing ladies or why the killer only picks them. There’s an unsettling Bundy-esque bleakness to Sutter’s abduction technique (shown only once) and Bereavement only becomes an actual slasher flick towards the end.

And the end is downbeat, drab and a portent of doom. I was happy to see the cute puppy survive but after being impressed by what Mena sculpted out of what little he had in Malevolence, this has an aura of self-indulgence that I hope doesn’t leak into the final film. If it ever gets made.

Blurbs-of-interest: Michael Biehn was in The Fan and Cherry Falls; Alexandra Daddario was later in Texas Chainsaw 3D; John Savage was in Christina’s House.

Crack n’ hack

A CRACK IN THE FLOOR

 2 Stars  2001/18/86m

“Something terrible awaits underneath…”

Director/Writer: Sean Stanek / Director: Corby Timbrook / Cast: Mario Lopez, Daisy McCrackin, Justine Priestley, Beatley Mitchum, Francesca Orsi, Bo Hopkins, Jason Oliver, Stephen Saux, Rodger Hewlett, Tracy Scoggins, Bill Erwin, Gary Busey, Rance Howard.

Body Count: 11

Dire-logue: “We made a pact to take these trips ’til we’re old and grey, or we die. Whichever comes first.”


Another cheapo attempt to bring Friday the 13th into the 21st century that pits six college kids against a Jason-like hermit who resides in the basement of the standard horror movie cabin-in-the-woods, where you just know these scholars are gonna end up by nightfall. Seems our loner doesn’t take kindly to strangers since two hicks raped and slaughtered his mom thirty-three years earlier.

With a few familiar cast members in the wings, it’s surprising the project came off as cheap looking as it has. Bo Hopkins is the local sheriff who may be on the brink of solving all of the missing persons cases that flood in whenever anybody hikes out into the trees; Gary Busey has about three minutes of screen time as a derange chicken chaser. You get the feeling he was helping out a friend.

Mario Lopez – Slater from years-gone-by’s Saved by the Bell, who also cropped up in the lamentable Fever Lake – leads the doomed pack of off-the-shelf teenagers, including Alicia Witt-a-like girlfriend Daisy McCrackin.

The rest of the characters and plot appear like a second-generation photocopy of Friday the 13th Part III, with two stoners and a newly-pregnant couple. The cabin’s not too dissimilar either… In spite of these flaws and an essential lack of blood (half the murders are off camera or fleeting) it’s not the tragic misfire it could have been. Everything certainly looks like the producers put some effort in and the script flows along quite efficiently even through the kids set up as the heroes are quite casually killed off.

A Crack in the Plot may have been a more fitting title.

Blurbs-of-interest: Bo Hopkins was also in Sweet Sixteen and Uncle Sam; Rance Howard was also in the Toolbox Murders remake; Daisy McCrackin was one of the reality-teens in Halloween: Resurrection.

Nobody cares

dywkasDO YOU WANNA KNOW A SECRET

 1 Stars  2001/15/91m

“Curiosity kills.”

Director: Thomas Bradford / Writers: Del Tenney & Kermit Christman / Cast: Joseph Lawrence, Dorie Barton, Tom Jay Jones, Chad Allen, Jeff Conaway, Ellie Escobar, Leonora Scelfo, Jack McGee, Britton Purvis.

Body Count: 9

Dire-logue: “I don’t want you, you’re a control freak.”


This past week has sucked. Someone I know quite literally dropped dead, then my longest surviving fish died, riots, stock market crashes… Thank God you can chillax with a good slasher flick. Or not.

Where the hell is the question mark at the end of that title? Nobody will want to know “a secret” if they are not actually being asked if they want to know. Fail, fail, FAIL!

So anyway… Connecticut college brats drive down to Florida for Spring Breeeeeeeaaaak!!11!!1!!! where the killer who murdered one of their friends the previous year now stalks them. At the scene of each murder, the masked and robed fiend leaves his message (the one that isn’t a question despite trying to be) on pieces of paper, computer screens, carved into the flesh… It’s up to the sonically dull heroine and fucking Joey Lawrence to solve the mystery.

One secret that’s seemingly never revealed is why the kids don’t seem to give a shit about any of their dead friends, still finding time to piss about, laugh and show as much of an emotional reaction as a baked potato.

Finally, when plotting “questions” are solved (in a way that shamelessly rips off Mortuary) and the killer has been laid to rest by none other than Kenickie from Grease, we still don’t know what this big secret was supposed to be! The killer’s motive is way too dull to pass.

And what’s with one guy being knocked out no less than THREE TIMES even though the killer wants him dead anyway. Oops, put in a question mark there – my bad.

All these inhibitors make Do You Wanna Know a Secret nothing more than a resume thickener for the cast of unknowns and something else to be swept under Joey Lawrence’s mountainous career rug.

Blurbs-of-shame: The late Conaway was also in The Curse of the Forty-Niner; Lawrence was Graham in Urban Legends: Final Cut.

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