Author Archives: Hud

Stock Background Characters 101: Nerds, Geeks & Dorks

In this feature, we examine the lesser beings of the slasher movie realm, which, if you’re making your own slasher film, could provide a good cast roster for you.

No killer or final girl profiles here, this is a celebration of those underlings who made the most of their fleeting flirtation with stardom. And usually died.

This month sees the turn of NERDS, GEEKS & DORKS

nerds1aNow, before we start, is there a difference between Nerds, Geeks and Dorks? To my understanding, a geek is a cool nerd, like I’m a slasher film geek, right? A dork is anybody who just acts like an idiot but in an inoffensive way. Geeks and dorks can apparently be handsome and socially active whereas nerds combine the former attributes and are textbook bespectacled, socially inadequate as well as being mentally and physically feeble. Feel free to provide your own reading of these terms.

Overview: In the slasher movie realm, these people are almost as short-lived as slutty cheerleaders and horny jocks but they are normally killed off fairly early on as, in true stereotypical slasher film form, they’re not as pretty to look at as the others.

Nerds, Geeks and Dorks are more often than not male (with a few recent exceptions) and can sometimes double as the joker or the prankster. Look at bubble-permed Shelly in Friday the 13th Part III – he’s the practical joke master but also essentially one big dweeb. Dweeb! That’s another one!

Let’s also remember that some slasher films chronicle the revenge of a nerd scorned. Slaughter High and Terror Train are two prime examples of this, but it crops up in other films from the UK’s Tormented to Korean pastiche Record.

Linguistic Snapshot: “You guys only invited me here this weekend so I’d do your term papers for you! I know it! Well, if I weren’t scared of the dark and had my inhaler, I’d walk right outta here now, through the creepy woods to the car and call my Mom to come and get me!”

Styling: Like last month’s Black Girl with Attitude, the slasher film trades on stereotyping to create shortcuts to its character identification. Therefore, our High-IQ’d friends almost always have glasses that, like Velma in Scooby Doo, they cannot see without. Basic bland clothing and styleless hair are also common and they’re always skin and bone.

Hallmarks: Virginity fully intact, Nerds, Geeks and Dorks may be at the top of the academic tree but they’re unfairly relegated to the bottom of the social strata, lucklessly after the girl they have no chance in hell with. See: Linderman in Freddy vs. Jason, Leonard in Prom Night III, or even Maddy in Friday VII for a girl-geek reversal of the cliche.

Downfall: An unquenched yearning for social acceptance can be fatal for the nerd when invited on a weekend away or miraculously scoring a date with the final girl… In the Friday series, Maddy, Wayne (Part VIII), Eddie (Part VII) and Jake (Part V) are all betrayed by love very shortly before they check out for good. Alfred in Happy Birthday to Me was after the heroine’s heart and instead got shears in the belly and comically-camp campus nerd Radish was anxious to warn Courtney of the inclement danger in Final Exam when he met his maker.

It is worth noting a couple of exceptions to the rule here, in the scarily similar Friday the 13th Part 2 and The Burning from 1981, both the nerds lived another day. In the former, Ted simply wisely decides not to head back to camp and saves himself whereas Alfred in The Burning (played by practical career film nerd Brian Backer) becomes that rare Final Boy, in spite of the fact that the kid’s a Peeping Tom and has a generally creepy aura about him. Later, girl geek Ellie managed to survive the fatalities that plagued Sorority Row.

Pervy nerd, Girl geek, and

Pervy nerd, Girl geek, and Devious dork

Genesis: Early nerds weren’t coded so strongly as such: Ed in Terror Train and Slick in Prom Night were more like dorks, treated as mere expendables in both films, they were done away with quite mercilessly. Soon after, Hell Night gave us creepy little prankster Scott, another bespectacled nerd who is unliked by many and clearly used by the fraternity president as the brains of the operation.

By the mid-80s, films were liberally peppered with know-alls, horny dorks and weaklings, all lined up for the chop along with their more commonplace high school classmates.

In the 90s, however, we arrived at the shores of Randy, Scream‘s all-knowing film geek who, while virginal and kinda repulsive to all females in the vicinity, not only survived the film (returning for the sequel) but became a fan favourite for his rule breaking (nerd rules, not horror film rules) and geek became chic.

Randy: The changing face of the horror geek

Subsequently, dorks and geeks became a bit more involved and assigned some good lines here and there: Billy O’ played such characters in both Lovers Lane and Shredder, stealing much affection from the main characters in the latter and Chewie in the Friday the 13th reboot was even crowbarred into the Asian nerd subset but still managed to evoke more interest and empathy than his non-dimensional cookie cutter friends.

Legacy: There have been a couple of films where the final girl is a sort of nerd herself. Back Slash comes immediately to mind and when you think about it even Laurie Strode was a bookish nobody of sorts but these attributes often serve her better than male counterparts, who are far too preoccupied with equations or covert masturbating to notice the presence of the masked psycho.

Still, I’d like to see a killer take on a real group of nerds who think about logical, smart ways to prevent him from killing them. You could cast all manner of computer nerds, Dungeons & Dragons role-playing dorks and off-the-chart-smart academics to pit their advantageous wits against a blade-toting loon. Hmmm… good idea that.

“That’s NOT cranberry sauce!”

BLOOD RAGE

3 Stars  1983/83m

“Not all the evil is on Elm Street.”

A.k.a. Complex / Nightmare at Shadow Woods

Director: John W. Grissmer / Writer: Richard Lamden / Cast: Louise Lasser, Mark Soper, Julie Gordon, James Farrell, Chad Montgomery, Lisa Randall, Jayne Bentzen, Marianne Kanter, William Fuller.

Body Count: 11

Dire-logue: “Just talking about the bad old days when guys were horny all the time…”


For absolutely no valid reason, a young boy embeds an axe into the face of some guy at a drive-in in Jacksonville and blames it on his shocked identical twin, who lapses into a state of catatonia and is carted off to the funny farm.

Ten years later, the innocent brother escapes from the institute on Thanksgiving, coinciding with the twins’ mother announcing her engagement to her boyfriend, which prompts the other son to pick up the carving knives for a little more than slicing up the turkey, taking out the residents of their apartment complex and handily blaming bro.

Convoluted premise aside, things take off pretty quickly and the blade-swingin’ evil twin has sooned chopped, slashed or impaled most of the cast until only dippy virginal good girl Karen, some random baby, and Mom remain to witness to twins’ final showdown, which is topped off with a downbeat, slightly confusing twist.

This seldom seen retread of Halloween sat unreleased until 1987 but makes the best out of its predictability and even tosses in some jovial humour along the way – thanks mainly to the cheesy evil twin schtick, ambitious but crappy gore effects (witness the severed hand that continues moving) and plentiful dire-logue, which makes Blood Rage look like a parody of itself without even trying. And it’s still ten times funnier than Wacko.

Dire-logue’s Greatest Hits Volume 1: Stating the Obvious

Someone recently asked for a list of my favourite dire-logue, those inspired insights by characters created sometimes by clever scribes but more often the consequences of hopeless screenwriting and dreadful delivery from the actors.

So, here are the first facepalm verbal tics, in this edition celebrating characters who adorned the colours of one Captain Obvious – like this guy…

ABSURD (1981): (Examining a hacked up corpse) “I’m no doctor but I don’t think it looks good.”

THE BABY DOLL MURDERS (1992): “With a serial killer there’s always a pattern: he hates his mother, he hates his father, all women are whores…something!”

BLACK CHRISTMAS (2006): “I’m really not OK with any of this… I mean, buying a Christmas present for a serial killer?”

BLOOD CULT (1985): “We do not need serial killers on this campus.”

FALLEN ANGELS (2002): “Cutting the power, cutting the phonelines – he’s planned ahead.”

THE FOREST (1982): “I don’t know about splitting up, it’s not usually a good idea.”

FRIDAY THE 13TH PART 2 (1981): “Axes, knives, saws – they can all be dangerous.”

HACK-O-LANTERN (1987): “Ever since my dad died on Halloween night, this day really seems to affect [my mom].”

NEW YEAR’S EVIL (1980): “He’s mutilated the breasts of most of his women, that’s a common characteristic of a psychopathic killer.”

SCALPS (1983): “Defiling the graves of the dead will only anger their souls.”

SPLATTER UNIVERSITY (1984): “The killer is obviously a psychopath and cannot be reasoned with.”

URBAN LEGEND (1998): “It’s like someone out there’s taking all these stories – and making them reality!”

I know what you did 25 summers ago

RETURN TO SLEEPAWAY CAMP

3 Stars  2003-2008/87m

“Kids can be so mean.”

Director/Writer: Robert Hiltzik / Cast: Felissa Rose, Vincent Pastore, Paul DeAngelo, Michael Gibney, Jonathan Tiersten, Erin Broderick, Michael Werner, Brye Cooper, Jackie Tohn, Katie Simses, Adam Wylie, Christopher Shand, Shahida McIntosh, Jaime Radow, Isaac Hayes, Lent Venito.

Body Count: 9

Dire-logue: “Well look who’s here – Camp Problem Child.”


Das warningen: spoilers follow…

There are some films where the production legacies draw more attention and hysteria than the films themselves. The 1980 Jaws rip-off The Last Shark is one: pulled from cinemas only weeks into its release after Universal sued for plagiarism. Unfortunately for audiences, these events are more interesting than the movie is. The same can almost be said for Return to Sleepaway Camp

Production of this belated sequel to the 1983 cult sleeper took five long years with the film eventually surfacing on DVD at the end of 2008 after numerous re-toolings and the end product is, well, an interesting mish-mash of good and bad.

Let’s back pedal a bit and recap. Hiltzik wrote and directed the first film, which gained notoreity for its shocking coda that the shy teenage girl not only turned out to be the psycho killer but was also anatomically a boy. In the late 80s video sequels, fully-female Angela returned as a puritanical counsellor at a new summer camp to slaughter bad kids. A third sequel began production in 1992 but was shut down when the company went broke.

With fans of the films divided between those who love the original and those who love the campy 80s sequels (put me in the latter category), the internet age ushered in enough love to prompt Hiltzik to create his own direct sequel, ignoring (but not totally unfurling) parts II and III.

Return to Sleepaway Camp takes us to Camp Manabe and brings back original counsellor Ronnie (DeAngelo) as part owner. Kids play pranks and mess about, smoke dope and uniformally pick on Alan (Gibney), a chubby, hulking kid with a very bizarre personality. Alan may be the victim of choice for the popular kids but is equally cruel to those around him, whines and plays for sympathy from the counsellors and never seems to change his clothes.

Alan is egged, ganged up on during a paintball match and sees his beloved frogs skinned by a couple of nasty little scrotes. He only has eyes for the resident popular blonde but when she participates in one last gag, even her safety is no longer guaranteed…Those who torment Alan eventually begin to meet nasty ends: the sleazy kitchen assistant ends up deep-fried (see September’s Icky Ways to Go), a stoner is forced to toke the joint from hell and the camp owner is eaten alive by rats. Ronnie is first to cry Angela but she’s institutionalized… However, the pacing of the killings doesn’t necessarily match Alan’s meltdown: he eventually snaps around halfway through the film, at which point a couple of people are already dead. And what about Angela? How does she fit in to all this?

The scene-to-scene cohesion is one of the problems with RTSC, which can’t seem to decide how to play out with coherence. Alan is the centrepiece of the film but it’s not clear whether he’s going to be the killer or the hero? Either way, the character ranks as one of the most hideous incarnations to ever (dis)grace the screen. Any sympathy ramped up from the numerous humiliations Alan suffers is dissipated soon after by his nightmare attitude, he often leaves situations he’s created by saying “your ass stinks!” to whomever he’s clashed with.

On the plus side of the fence, we get to see Ricky again and, yes, Angela does make an appearance and yes she is the killer, having been disguised all along – rather feebly – as a character who keeps cropping up. The camp setting is well worked and the comings and goings of the campers is convincing enough.

The crowded background cast gets in the way to some degree; the group of nasty kids mostly meet their deserved ends but some are spared and other victims are still hanging in when they’re found. Angela selects her prey rather haphazardly, going in with a scattergun approach and offing as many as she can during the last half hour or so, including one poor guy’s dick being attached by wire to the towbar of a jeep his spooked girlfriend flees in. Ow is the word.

I did garner some enjoyment from the film. It looks pretty good and the performances are more than adequate for the genre (DeAngelo’s quite possibly excluded) but it’s a real mess that even five years of re-cutting, Felissa Rose’s sixty seconds on camera and an Isaac Hayes cameo can’t untangle and it’s in dire need of a strong lead character, something the original didn’t have either.

I love summer camp slasher flicks and clasp my hands in prayer for more but if the mooted Sleepaway Camp Reunion goes ahead, it’ll need to step up the game considerably to out-do Michael A. Simpson’s made for video sequels, which, by rights should suck but are somehow the heart of the series.

She’ll be back…?

Blurbs-of-interest: Rose, Tiersten and DeAngelo all returned from the original; Rose was also in Camp Dread and Victor Crowley; Isaac Hayes was in Uncle Sam; Adam Wylie was the lead evil brat in Children of the Corn V: Fields of Terror.

Pant-Soiling Scenes #14: POLTERGEIST

When I was about 10 I caught about 5 minutes of Poltergeist on TV and had a nightmare I can still vividly remember to this day… A creaky old rocking chair in my folks’ bedroom, diving down the stairs to scramble out the front door. <shudder>

Weirdly, the film feels more like ET with a few chills when I watch it now. But it’s undeniably brilliant and, while not particularly scary, certain parts still give me the willies, including this, that creepy-ass tree through the window bit…

Thunderbolts and lightning, very, very frightening little Robbie Freeling, who attempts to count away the storm, only for it to get closer until creepy-ass tree busts throw the window and tries to eat him while little Carol Anne shrieks in the background.

Trees are oft scary and under utilized in contemporary horror. For kids, they’re up there with pylons, shadows and the closet door that won’t close. The ‘Geist gets all this spot on, thus earning itself a spot in the P.S.S. list.

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