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halloween kills 2021

HALLOWEEN KILLS

2.5 Stars  2021/18/105m

Director/Writer: David Gordon Green / Writers: Scott Teems, Danny McBride / Cast: Jamie Lee Curtis, Judy Greer, Andi Matichak, Will Patton, Anthony Michael Hall, Dylan Arnold, James Jude Courtney, Robert Longstreet, Scott MacArthur, Michael McDonald, Kyle Richards, Nancy Stephens, Charles Cyphers, Thomas Mann, Carmela McNeal, Michael Smallwood, Nick Castle.

Body Count: at least 30


Halloween has turned into its very own ‘Choose Your Own Adventure’ series now, with three paths to pick at the end of the original: You can go the 12456 route, the 1-2-H20Resurrection way, or 1-2018-Kills-Ends. Interestingly, both latter avenues were accompanied with a sort of “oh, we just ignored all those awful sequels!” narrative, and with the release of Halloween Kills, both latter avenues have delivered instalments that are decidedly inferior to those 80s-90s efforts. Spoilers will need to ensue.

Allyson’s cheerleader kissin’ boyfriend Cameron stumbles upon the not-quite-dead Deputy Hawkins and we’re whisked back to 1978, with Hawkins the younger and his colleagues hunting The Shape after Dr Loomis shot him out of the Doyles window. Tommy’s bully, Lonnie Elams, has a creepy encounter, and the cops track him back to the Myers house, perfectly captured as we last saw it, and Loomis himself is even resurrected for the occasion.halloween kills 2021

In 2018, Laurie is rushed on to the operating table, while Karen becomes a bit of a Karen with the hospital staff, and the cops get a debrief from Allyson. Meanwhile, firefighters enter the Strode house and guess who is not burnt to a cinder? Michael wastes no time in taking out half a dozen burly firemen before tottering back towards town.

Elsewhere, middle-aged Tommy Doyle tells the tale of the babysitter murders at a bar, where he’s drinking with Lindsey Wallace, Lonnie, and Nurse Marion (why is she there??). When the news reports murders, they team up with a couple seen briefly in the previous film to lead a vigilante mob to take out Michael.

halloween kills 2021 kyle richards anthony michael hall

Things go wrong, people die, and Tommy ends up at Haddonfield Memorial where he stirs anxious relatives of the injured and missing to a mob frenzy, including the former Sheriff Brackett, now working security there (despite being like 80) and the crowd start chanting: “Evil dies tonight!” over and over. It’s a weird scene, at odds with anything you’d expect from a Halloween movie.

Laurie is informed Michael is not dead and tries to leave, but the baying crowd begin hunting one of the other escaped patients from the bus crash. Nobody will listen to reason, so Karen decides to help the man and locks him in a corridor on an upper floor. The mob attack and he eventually throws himself out of a window to his death.

halloween kills 2021 nancy stephens kyle richards

Things culminate at the Myers house, now inhabited and renovated by a gay couple. There’s a good scene in which Karen manages to steal Michael’s mask and is chased through some yards until the residents of Haddonfield have him surrounded and exact their revenge. But because we know Halloween Ends is slated for 2022, things don’t work out quite as planned.

So, Laurie shares no scenes with The Shape whatsoever and a whole lot of time is spent with Tommy Doyle’s lynch mob, shoehorning in actors and characters from the original who are inexplicably still living in Haddonfield forty years later, and hang out together in bars. It’s contrived as fuck fan service, but this is a slasher film so why should it even matter? Halloween Kills is a damn mess, but it may improve as the bridging instalment once the third and final chapter comes along, though if the history of this series has taught us anything, it’s that someone will find a way to bring it back again one way or another.

halloween kills 2021 dylan arnold

Seed of Alexa

child's play 2019

CHILD’S PLAY

3.5 Stars  2019/15/87m

“Time to play.”

Director: Lars Klevberg / Writer: Tyler Burton Smith / Cast: Aubrey Plaza, Gabriel Bateman, Brian Tyree Henry, David Lewis, Ty Consiglio, Beatrice Kitsos, Carlease Burke, Marlon Kazadi, Tim Matheson, Mark Hamill (voice).

Body Count: 8+

Laughter Lines: “Can I just point out that this is how every robot apocalypse scenario begins?”


Despite being about the only major horror franchise that’s stuck neatly to its story arc over seven films, it was only a matter of time before someone remade Child’s Play. It’s Hollywood, nothing is sacred. Jaws is swimming scared.

In defiance of the odds though, the 2019 re-tooling actually launches the series into quite a different direction that the possessed doll that cuts his way through many an adult, cussing merrily as he goes. While not able to necessarily co-exist with its former self in the way, say, the 2009 Star Wars movie did, it’s not like watching somebody overhaul the original and make it all meta n’ shit, it’s a new story with a similar looking doll who goes by the same name and slashes up folks. Thassit.

At a sweatshop factory in Vietnam, a beleaguered worker is fired by his boss, told to complete the Buddi doll he’s working on and GTFO. In a fit of rage, the employee disables the violence and language parameters (curiously all displayed in English on his screen) then throws himself out of a window.

child's lay 2019 buddi chucky

Some time later, the doll is returned to Zed Mart as defective, and young mom Karen decides to gift it to her lonely 13-year-old son Andy, lest it end up in landfill somewhere. Nonplussed by the doll-for-kids, Andy nevertheless plays along and finds that Chucky’s screwy A.I. is quite capable and entertaining: Like a faithful friend, he listens and interacts – his only mission, to ensure Andy’s happiness.

As is the case in all robots-will-destroy-us yarns, Chucky takes everything Andy says literally, starting by trying to choke the family cat after it scratches him. Then when Andy wishes that his mom’s asshole boyfriend Shane would just go away forever, and souped up on the data gathered from witnessing watching Andy and his (human) friends LOL along to Texas Chainsaw Massacre 2, Chucky deduces violently killing Shane will lead to Andy’s happiness. All the while, Chucky becomes weirder and more attached to Andy, replaying the sounds of the tortured cat at night, and appearing in all sorts of unexpected places, eyes eerily glowing.

child's play 2019 buddi chucky

After a gruesome lawnmower death, Andy and pals are left to try and dispose of some body parts, which inadvertently end up on the shelf of the apartment down the hall where the mother of the requisite cop lives. Chucky is disabled and thrown down the garbage chute, only to be picked up by the building’s perverse custodian, who thinks there’s money to be made from the doll on eBay and so restores it.

More killings occur, and the unveiling of the Buddi 2 range at Zed Mart serves at the battleground for the final showdown, where Chucky’s ability to sync with other devices provides an army of psychotic toys to reap carnage on the midnight shoppers, such as drones with razor sharp propellers and creepy Teddy Ruxpin-like bears that lethally bite patrons.

child's play 2019 chucky buddi

All of the canon films in the Child’s Play series are, to me, decent. The quality is remarkably consistent throughout, with none being awesome nor dogshit. So I’m not too precious about this, though I feared it might’ve been watered down PG-13 stuff given the Stranger Things-stylings chatter that preceded its release. Thus, I was surprised when it turned out to be pretty fucking gory in places, and curiously restrained in others: The lawnmower and table-saw denouements are a gruesome riot, whereas the big finale came across quite dry in comparison.

This would be just fine as a sort of ‘what if’ companion piece to the other films. There’s no real need for a sequel here, I mean, what direction would you even go with? It’s literally a film about a faulty appliance. Return it for an exchange or refund.

The Dolls of Death

tourist trap 1979

TOURIST TRAP

3 Stars  1979/15/90m

“Every year young people disappear…”

Director/Writer: David Schmoeller / Writer: J. Larry Carroll / Cast: Chuck Connors, Jocelyn Jones, Jon Van Ness, Tanya Roberts, Robin Sherwood, Keith McDermott, Dawn Jeffory.

Body Count: 6


Technically one of the very first post-Halloween teen horror pics to emerge, Tourist Trap was actually shot shortly before John Carpenter started rolling on his genre-confirming film, but was released in March of 1979, by which point Halloween had happened.

Co-produced by Irwin Yablans, TT draws a significant amount of inspiration from The Texas Chain Saw Massacre instead, with five youngsters (including a future Charlie’s Angel) diverted from a backroad to Slausen’s Lost Oasis due to car trouble. They’re welcomed by the happy-go-lucky owner, who shows them his brother’s mechanical mannequins and allows them to hang around while one of their number drives off to town in a borrowed truck to find assistance.

The three girls let curiosity get the better of them and individually wander off to explore the big house out back. They soon discover that it’s inhabited by a masked loon who also has psychic powers, which he uses to kill them, until nice-girl Molly is left to save the day.

The absence of Friday the 13th-styled influences is interesting in Tourist Trap, especially as certain sequences would feel right at home on the shores of Camp Crystal Lake, with characters rambling around in the dark telling their friends to quit trying to scare them. An obvious lack of significant budget sometimes gets in the way and the film has a fair whack of padding to reach the 90-minute finish line, but ultimately its surreal embellishments outweigh the negatives, utilising the creepiness of the dummies in the shadows to the maximum effect.

Given the cult-like status of this, I’m surprised it wasn’t immediately snatched up during the remake craze of the 2000s (possible because House of Wax got there first) but never say never!

Blurb-of-interest: Jon Van Ness was later in X-Ray.

Slashifying the Classics Part II: Poe

masqueTHE MASQUE OF THE RED DEATH

3 Stars  1989/18/89m

“Death is the life and soul of the party.”

Director: Alan Birkinshaw / Writers: Edgar Allan Poe & Michael J. Murray / Cast: Herbert Lom, Michelle McBride, Frank Stallone, Brenda Vaccaro, Christina Lunde, Simon Poland, Christobel d’Ortez, Foziah Davidson, Lindsay Reardon, Godfrey Charles.

Body Count: 10


Shot in South Africa, this is one of two adaptations of Poe’s story shot in 1989, morphed into a masquerade ball slasher pic by screenwriter Michael Murray. In this version, a red caped and masked fiend sends a group of attendees to the slab.

Pretty McBride is a journalist who snuck in to try and get some snaps and a story from loudmouth soap star Vaccaro at the final party of the mysterious Ludwig (Lom) in his creepy Bavarian castle. Those up for the chop include actors, designers, and doctors with whom he is somewhat intimately associated. They’re offed by sword, axe, and even razor sharp pendulum.

Frank Stallone gets top billing for his rather marginal part, but McBride carries the weight of the film as the sympathetic – and ever so slightly simpleminded – heroine. Lom is good in his is he/isn’t he role of host.

Most observers have dismissed this as a travesty to Poe’s work, but if an interesting take on the tale, marred by the revelation of the rather comedic killer, which unearths a couple more twists before a rather satisfying end to their evildoings. Silly laughs do divert proceedings time and again, although there’s one honest gag at the end of the credits which is worth hanging on for.

Blurb-of-interest: Birkinshaw directed British oddity Killer’s Moon in 1978.

[Insert slack-jawed emoji]

scream 1981 a.k.a the outing

SCREAM

0.5 Stars  1981/18/79m

“No one ever returns from this phantom town of TERROR!”

A.k.a. The Outing

Director/Writer: Byron Quisenberry / Cast: Pepper Martin, Hank Worden, Ethan Wayne, Woody Strode, Joe Allaine, Joseph Alvarado, Ann Bronston, Julie Marine, Cynthia Faria, Nancy St. Marie, Alvy Moore, Bob MacGonigal, Bobby Diamond, John Nowak.

Body Count: 7

Laughter Lines: “He wouldn’t have enough sense to shit if his mother didn’t call him every day and remind him.”


“No one ever returns,” the tagline promises – uh… yes they do. Half of the cast, in fact.

Ten rafters and their guides find themselves trapped for a couple of nights in an abandoned town that resembles a low-end theme park attraction. Ten minutes in, they’re already wandering around aimlessly in the dark and being killed by an off-camera presence that is never revealed. An hour and several corpses later, some fog rolls in, followed by a guy on a horse and his dog; he tells them he used to be a sailor and then leaves again!

One of the few… ‘defining’ (?) aspects of Scream is that the cast are adults rather than teenagers and all of the victims are male. The age makes no difference though, in fact seemingly making them less intelligent, as they fail to notice missing people and walk off on their own for reasons such as fetching a beer from a separate building. “I’ll be fine!” One character is attacked by a reanimated corpse BUT DOESN’T TELL ANYONE ABOUT IT!

Stir in the crappy daytime-TV saxophone score, horrible characters, dismal acting from some semi-known (John Wayne’s son is in this) and you have one of the worst films in the history of moving pictures. Critics who mauled Friday the 13th should rent this.

Blurb-of-shame: Pepper Martin was later in the only marginally better Return to Horror High.

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